Posted by Robin
on
22 September 2011
Violet Blonde is the latest addition to Tom Ford’s Signature Collection (i.e., it’s not in his more expensive and harder-to-find Private Blend series). It’s his third pillar for women, after Black Orchid and White Patchouli, and it’s in the same ribbed bottle with metal label. This time, the bottle is in clear instead of opaque glass — and just as well, thank you; if they’d done it up in opaque violet glass I’d have had to buy it even if it was a scrubber.
It’s not a scrubber though. Violet Blonde is soft and cushy-powdery, as is the current fashion, but it’s loudly so, in keeping with Tom Ford’s aesthetic.1 I preferred it applied lightly; your mileage, of course, may vary. The opening is a heady mix of citrus, sweet fruit, violet leaf and violet (violet fans take note: it does smell like violet in the early stages). It’s green early on, and peppery throughout. The fruit notes soften as the top notes dissipate, and the violet fades into a jasmine-heavy floral mixed with a dry, peppery iris. The jasmine is clean, with fruity undertones, and it’s strong rather than rich…
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E. M. Forster’s A Room with a View (1908) is one of my favorite novels, and its Merchant-Ivory film adaptation (1985) is one of my favorite movies. I’m also a longtime admirer of CB I Hate Perfume, so it’s strange that I only recently realized that this niche perfumery offers a scent inspired by a scene from the novel. Christopher Brosius created M4, or A Room with a View, for CB I Hate Perfume’s Metamorphosis Series and designed it to evoke “the moment when one simple beautiful gesture can transform an entire life.”
In the passage that gave Brosius the idea for this fragrance, the young heroine of A Room with a View, Lucy Honeychurch, is picnicking with several other proper English tourists in the Tuscan countryside. She strays from her prim chaperone and, after passing through a wooded area, finds herself looking down a hillside blooming with violets; the only other person enjoying the view is George Emerson, an enigmatic and free-thinking fellow traveler. George impulsively steps forward and kisses Lucy, thus opening her mind and her senses to new possibilities (in romance and in life) and setting the rest of the novel’s plot in motion…
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Posted by Jessica
on
11 February 2011
Roses are red, violets are blue…and this “valentine” to Lipstick Rose is long overdue. Seriously, I’ve intended to write a review of this fragrance for quite a while, but I kept getting distracted by new releases and so on. Sometimes we tend to take our loved ones for granted, in perfume as in relationships, but I’ve decided not to delay any longer in sharing my thoughts on Lipstick Rose.
Lipstick Rose was launched in 2000 as part of the original product line from Editions de Parfums. It was created for Frédéric Malle by perfumer Ralf Schwieger, and it is described by Editions de Parfums as “a vision of glamorized femininity” that evokes the “bonbon” scent of lipstick; its notes are listed as rose, violet, musk, vanilla, vetiver, and amber. Lipstick Rose has a fizzy, aldehydic opening with a sweet-but-tart raspberry note. The fragrance’s heart is a blend of talc-dusted tea rose petals and violet liqueur that does, yes, remind me of certain highly-scented lipstick brands. After Lipstick Rose’s flirtatious early development, its base of vetiver and soft musk makes a sophisticated appearance. The lasting dry down is a haze of candied violets and plush, ambery vanilla, with that sly musk lingering beneath. This fragrance has excellent staying power and noticeable sillage (particularly during the first hour or so).
Lipstick Rose is something of a paradox…
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Posted by Kevin
on
10 June 2010
When asked by a reporter — “What’s your favorite perfume?” — the Italian stage actress Eleonora Duse replied that such questions were “ridiculous and puerile.” 1 Duse avoided the press whenever possible and felt an actress “must not attract attention when she’s not on stage…an actress must pass through life unobserved.” 2 If Duse were alive and working today, I’m betting there would be no “Eleonora Duse” celebrity fragrance on the market. But it’s good, in the 21st century, to see or hear the name Eleonora Duse because she was such a cultural force in her lifetime.
Duse started acting at the age of four in her family’s theatrical troupe. As a child, she was often forced to beg on the streets, but Duse went on to become one of the most famous actors in the world. Using the theory of “six degrees of separation,” I feel a small connection to Duse. Right out of high school, I went to New York to study acting with Stella Adler, who was a student of Konstantin Stanislavsky, who said that he “got his inspiration for founding the Moscow Art Theatre from witnessing a performance of Duse’s.”3
At a time when actors assumed histrionic, unnatural poses, declaimed their dialogue, and displayed their own personalities on stage, Duse was different…
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Posted by Robin
on
1 March 2010
Today is the 200th anniversary of the birth of Chopin. In Warwaw, the newly refurbished Chopin Museum opens at the Ostrogski Castle. The multimedia displays include one room where visitors can smell Chopin's favorite flower, the violet. You can read more at the museum's website or at Poland's official travel website.
Many thanks to Sophia for the news!
