Givenchy has launched L’Atelier de Givenchy, a new collection of seven unisex fragrances: Ambre Tigré, Bois Martial, Cuir Blanc, Chypre Caresse, Néroli Originel, Oud Flamboyant and Ylang Austral.
Ashley and I are really into oils, and those were the notes we were really attracted to. — Mary-Kate Olsen, talking to Women’s Wear Daily.
Remember way back when — about 20-odd years ago in perfume years — when Sarah Jessica Parker launched Lovely, and everyone was talking about exactly which perfume oils it was based on? It was the first thing I thought of when I smelled Nirvana Black and Nirvana White, the new fragrances from Mary-Kate and Ashley Olsen’s Elizabeth and James lifestyle brand. Lovely, it turned out, was inspired by Parker’s own layering blend of Bonne Bell Skin Musk, Comme des Garςons Avignon and some Egyptian Musk oil she bought from a street vendor, but as translated into something marketable by Coty, Lovely was far tamer and more wearable than you might have expected from the original mix.
Nirvana Black and Nirvana White come closer to walking the walk…
Some of the more recent Amouage fragrances for women — Memoir, Epic, and to some extent Lyric — are built like battleships. They’re weighty and loaded with moving parts. Amouage Interlude joins the fleet. The trick in this type of fragrance is that as its intricate machinery clicks and whirrs through its gears, dozens of potentially disparate notes need to engage and dissipate in combinations that evolve artfully.
In my opinion, Interlude Woman grinds its gears before it hits cruising speed, while Interlude Man with its simpler, more familiar construction, sails full steam ahead. (You’ll be glad to know this concludes the painful simile part of the review.)
Amouage defines Interlude Woman as a floral chypre…