The perfume world is fickle. Though some perfume notes are perennial favorites — bergamot, sandalwood, and petitgrain come to mind — other ingredients become “problematic” over time. Once, Calone was all the rage…then, one day, perhaps due to overuse or a style shift in perfumery, Calone smelled dated. Not that long ago, rose-rich perfumes were considered passé. (Alongside antiquated rose were the scents of oak moss and carnation — suffering not only from associations with old times and ‘old folks,’ but difficult to work with, or re-create, due to IFRA restrictions.) Then, rose had a renaissance, a facelift, an attitude adjustment, and became “young” again, and is used in all manner of mainstream and niche perfumes, including men’s fragrances. Oak moss and carnation are still waiting for their rejuvenation treatments.

So, how do you “update” a dated aroma? How do you transform old-fashioned carnation, that much-maligned flower, associated with death, bad luck and bad taste, into something modern, edgy and desirable? One way would be to make carnation brazen: accent every facet of its scent, amplify its impact with newer, unusual perfume materials, make it bloom in a new way. Another tactic is familiar from the world of food…

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Perhaps unsurprisingly, Sheldrake's take is less extreme. "It's important to remember that No 19 was created at the beginning of the 1970s, an era notable for the fact that women's emancipation was at its height. The original No 19 was created in the spirit of the first wave of feminism and it therefore has something of an 'I'll walk all over you' aspect to it, I agree."

No 19 Poudré , as perhaps befits the time, "is a more obviously feminine fragrance," Polge argues.

— Perfumers Christopher Sheldrake and Jacques Polge talk about the upcoming Chanel No 19 Poudré.

Update: huge apologies, I inadvertently left out the link to the original article! Here it is: One green bottle: Meet the brains – and noses – behind Chanel No 19 at The Independent.

Nuit de Cellophane was released by Serge Lutens in early 2009 as part of the brand’s export collection. The press release for this fragrance includes a typically Lutensian snippet of prose-poetry and dialogue, but the sample-vial card offers a more concise description: “The night embodied in scent and sight. Chinese osmanthus.” Nuit de Cellophane’s list of notes includes jasmine, osmanthus, carnation, lily, almond, honey, sandalwood, and musk.

I hope my “perfumista” credentials won’t be revoked when I reveal that I’m not a Serge Lutens fanatic. I admire the line’s artistic philosophy and many of its fragrances (and I did own the original Shiseido Féminité du Bois years ago), but although I can appreciate the scents in an abstract sense, I somehow don’t enjoy wearing most of them. Even Sa Majesté la Rose, the rose soliflore of the line, which would seem to be a good fit for my tastes, rubs me the wrong way. (Is it the geranium that bothers my nose? the honey? I’ve never been able to figure it out.) Long story short, I respect Serge Lutens from a distance, but the house’s aesthetic just doesn’t fit me. On the other hand, Nuit de Cellophane sounded like the type of sweet floral that usually appeals to me, and if it turned out to be a non-Serge-like scent, as many diehard Lutensians lamented, then I would probably like it…

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The key note that we have enhanced is the iris. A lot of women who love the original No 19 are not going to change to this new version. No 19 is still totally valid as a niche fragrance for today.

— Perfumer Christopher Sheldrake talks about the upcoming Chanel perfume, No. 19 Poudre. Read the rest at A nose ahead of the rest at the Sydney Morning Herald.

One of the hazards of a bulging perfume cabinet is how hard it can be to justify buying another bottle, especially when you know you already have a few bottles from the same fragrance family. That’s my dilemma with Serge Lutens Cuir Mauresque. Since Cuir Mauresque became available in the United States last year, my fingers have wavered over the “add to shopping cart” button many a time. I tell myself Cuir Mauresque is special — warm and cozy, intimate and spicy, different from my other leathers. Meanwhile, Caron Tabac Blond, Lancôme Cuir de Lancôme, Bvlgari Black, Robert Piguet Bandit, Christian Dior Diorling, and probably some others I’m forgetting languish as they wait their turn in the fragrance rotation. What’s a girl to do?

Serge Lutens launched Cuir Mauresque in 1996 as one of its non-export, bell jar “exclusives” (as opposed to the export line in the rectangular bottle). In 2010, Cuir Mauresque (“moorish leather”) joined the export line for a limited edition run. Perfumer Christopher Sheldrake developed Cuir Mauresque, and its notes include mandarin peel, orange blossom, burnt styrax, incense, cinnamon, nutmeg, amber, myrrh, cumin, musk, cedar, and civet.

Like many of the Serge Lutens fragrances, Cuir Mauresque kicks off with a surprising note that offers a freaky insight into the rest of the fragrance…

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…I’d rather say that it is a perfume at the center of doubt; that the beam balance never settles between iris and hyacinth in the main accord, which is what makes the composition interesting. — Serge Lutens

It is rare that Serge Lutens says anything about his own fragrances that I find helpful, but in this case — he was doing an interview with Grain de Musc — he has so neatly summed up the experience of wearing his new Bas de Soie (silk stockings) that only a few more details need to be added.

First, the iris is that cosmetics-powder sort of iris, far from the turnips and dirt-caked roots of Serge Lutens Iris Silver Mist. The whole fragrance is cold and spiky early on, and very peppery, and the hyacinth is green and slightly bitter; later, Bas de Soie is warmer, softer and sweeter, and as advertised, the two notes seem to weave in and out (or struggle for control, depending on your outlook) for hours without ceasing until it rather suddenly fades away…

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Daim Blond, by Serge Lutens, launched in 2004. That was the same year as Chêne, Vetiver Oriental and Fleurs de Citronnier — a good year over at Serge Lutens, no? Chêne especially stole my heart (I’m wearing it now for the first time in months, and I’m falling in love all over again). Daim Blond — French for white pale suede — was nice, but it was Chêne and Fleurs de Citronnier that went on my buy list…

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You know, when I presented ‘L’Eau Serge Lutens’ to my staff. I felt like Saint-Just informing the aristocracy that they were about to lose their privileges. But I assure you, it’s not cologne. I hate cologne. Nor is it truly perfume. It’s more like an eau de cleanliness. Refined, nuanced… It’s like stepping out of the bath. Like putting on a freshly ironed shirt, or slipping into a bed with clean sheets…¹

That’s Serge Lutens, talking about his new anti-perfume, L’Eau Serge Lutens. I don’t know if his staff actually wept and tore their hair out, but there were some anguished reactions from his fans: Serge does clean? Has hell finally frozen over? Sorry guys. L’Eau Serge Lutens is reportedly meant to attract a wider audience — especially in the lucrative Asian market — than the rest of the Serge Lutens line, and not surprisingly, Shiseido is planning to distribute it rather widely.

Of course, we all need a break from perfume now and again, right? But for myself, I don’t hate cologne at all, in fact, I adore cologne. If I don’t want to wear something heavy, a nice cologne will suit me fine, and if I don’t even feel like that, a little dab of Egyptian musk will work just as well. And more often than you’d expect, I wear no fragrance at all…

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How unlucky for perfume lovers to live in an era when Mysore sandalwood has disappeared from fragrances. Let’s hope the over-harvested and endangered sandalwood trees of India are truly being protected and propagated for future generations. According to Serge Lutens P.R., the company bought its stash of Mysore sandalwood before stringent trade regulations went into effect, and it’s this “legal” Mysore sandalwood that supposedly enriches the Lutens perfume of the same name.

Santal de Mysore was developed by perfumer Christopher Sheldrake and released in 2001. I never smelled “original” Santal de Mysore so I don’t know how it compares to the new, surely reformulated, fragrance. Today’s Santal de Mysore contains, apart from Mysore sandalwood, “spices,” cumin, styrax balsam and “caramelized” Siamese benzoin.

Santal de Mysore starts off smelling edible, with a nougat-y and coconut-cream sweetness emanating from a faint “wood” note…

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