Posted by Jessica
on
6 January 2012
One of the long-running best-sellers in the Annick Goutal line is Petite Chérie (1998), a girlish fruity-floral that Annick Goutal dedicated to her daughter Camille. Camille has now reciprocated by devoting a fragrance to her mother’s memory: it is a spicy floral chypre titled Mon Parfum Chéri par Camille and its composition includes Indonesian patchouli, iris, violet, plum, and heliotropin.
Mon Parfum Chéri par Camille is partially inspired by a vintage solid perfume from Annick Goutal’s fragrance collection (originally a gift from the author Colette!); working with the perfumer Isabelle Doyen, Camille Goutal was also “drawn back to her childhood memories of Hollywood’s wartime movies. Tempting satin. Delicate lace. Actresses and their gloved hands and ruby lips. And a memory of her mother dressing for an evening out…” For me, Mon Parfum Chéri par Camille succeeds in this evocation. It’s old-fashioned, in a full-bodied, self-possessed way, and it really is most appropriate for evening wear (although I normally avoid that kind of fragrance-wearing instruction).
When I sniff Mon Parfum Chéri from the sample vial, I notice plenty of patchouli…
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Posted by Robin
on
6 October 2011
More limited edition collector fragrance bottles, with the usual disclaimers: in most of these cases, the juice is unchanged, just the bottle is “special” (or not, as the case may be), and some of these may not be available in the US.
From Bath & Body Works, a limited edition of their popular Japanese Cherry Blossom designed by Established NYC. $34.50 for 75 ml Eau de Toilette at Bath & Body Works…
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Posted by Erin
on
16 September 2011
Like many others who share my hobby, I believe, I was wary of florals when I started my perfume education. I was willing to countenance many a gourmand or woody amber barbarity, but I avoided flowers — and especially white flowers. I was going through a phase of sampling niche series perfumes — the Comme des Garçons incense fragrances, the Bois line of Serge Lutens — and I regarded white flowers as unsuitable material for such elaboration. Comme des Garçons White, purporting to be a more floral alternative to their original Eau de Parfum, instead smelled quite properly of sour spices and wood, and I viewed Lutens’ Un Lys and Tubéreuse Criminelle as singular and humorous experiments, fascinating to sniff on a blotter, I thought, but created with a kind of magisterial, Gallic indifference towards anybody wearing them. As a smell, white floral notes were heady, insistent and complex: in a word, “perfumey”. In perfume, didn’t that make them too, well… obvious?
But I couldn’t help noticing I was drawn to ylang-ylang. I had dried blotters all over my place at that time, and still do: I use them as bookmarks, clothing or car fresheners and post-its. Though I was doggedly wearing my modern roots and resins, my incense and tea scents, I was forced to admit that I stood transfixed when a lush tropical cloud of ylang breathed up out of my reference books, purse or underwear drawer. There were so many facets to the smell…
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Posted by Robin
on
17 May 2011
More limited edition collector fragrance bottles, with the usual disclaimers: in most of these cases, the juice is unchanged, just the bottle is “special” (or not, as the case may be), and some of these may not be available in the US.
From Maison Francis Kurkdjian, the Maison Francis Kurkdjian Limited Crystal Edition Fragrance: “A sensual and extraordinary Extrait de Parfum (Egyptian jasmine, Damascus rose, South African marigold, Yemeni frankincense tears and Malaysian gurjum balsam).” The bottles are Saint Louis crystal; a total of twenty 200 ml bottles were made…
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Posted by Robin
on
12 May 2011
Annick Goutal will launch Mon Parfum Chéri, par Camille, this September, with a preview at Harrods in early July. The new perfume for women is described as a “very feminine, elegant and mesmerizing fragrance, inspired by Hollywood glamorous actresses”…
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