Online fragrance shopping

Deal at anyasgarden: take 25% with coupon code Spring, good thru 5/28.

New at dillards: Fan di Fendi Pour Homme Acqua.

New at harrods (UK): Hugo Boss Damask Oud.

New at selfridges (UK): Ferragamo Acqua Essenziale, Thierry Mugler A*Men Pure Havane & Pure Malt.

New at thebay (CA):  Swarovski Aura of Love.

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Penhaligon’s Iris Prima ~ new fragrance

Penhaligon's Iris Prima

Penhaligon’s will launch Iris Prima, a new unisex fragrance developed in collaboration with, and inspired by, the English National Ballet. Iris Prima will debut in September…

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Van Cleef & Arpels Rose Velours ~ new perfume

Van Cleef & Arpels Rose Velours

Van Cleef & Arpels has launched Rose Velours, the latest addition to 2009′s Collection Extraordinaire

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Naomi Goodsir Bois d’Ascese ~ fragrance review

Old Church at Acoma Pueblo, New Mexico, 1902

Last week I bemoaned the fact that Etro Rajasthan didn’t smell like India. I’ve smelled what seems like a zillion perfumes, watched plenty ad campaigns, and read through news releases, so I know I shouldn’t expect fragrance names or PR to match reality. I may be disappointed Rajasthan didn’t conjure India (for me) but if that fragrance had been good, I would have forgiven false advertising. This week, I’m wearing Naomi Goodsir Bois d’Ascèse* (ascetic wood) and the aura of the perfume matches its name and description: “…a secluded CHAPEL, BLAZING dusk, moment of GRACE, DIVINE smoke, silent CANTIQUE….”

Bois d’Ascèse conjures one of my favorite places — northern New Mexico; the fragrance creates a dry, austere, pungent scene. Willa Cather was on my mind as I wore this fragrance (I’m reading her letters) and I think a tiny vial of Bois d’Ascèse should accompany every volume of Death Comes for the Archbishop — Cather’s New Mexico novel in which her European characters travel through Santa Fe, Ranchos de Taos, and Acoma, Isleta and Laguna pueblos…

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Still the most magical symbol of the house of Chanel

Several videos in support of the No. 5 Culture Chanel exhibition at the Palais de Tokyo in Paris. First, the artwork installation; below the jump, an interview with curator Jean-Louis Froment, and below that, Froment talks about the artistic influences on the perfume’s development.

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